The Circular of Janus
Vol. 19, Issue 5 - May 1, 1999 Copyright 1999

The Electronic Edition
Robin R. Brunner, Publisher
David Henninger, Editor
The Circular of Janus is a publication of the Circle of Janus Science Fiction Club of Central Indiana. Subscription is included with membership, $15/year. For information write to: Circle of Janus, P.O. Box 68514, Indianapolis, IN 46268-0514. Web Page: http://www.inconjunction.org/coj. E-mail: webmaster@inconjunction.org.
In This Edition:


Meeting Info
The next meeting of The Circle of Janus will be May 1, 1999 at the Children’s Museum. The meeting will begin at the usual time. The InConJunction ConCom meeting will start At 6:00 pm prior to the COJ meeting.




Minicon Trip Report
by Linda J. Dunn
Greg and I left Indianapolis about 1:00 p.m., after first tracking down and capturing two escaped cats who were hiding in the mini-barn. I took the first two hours of driving and effectively managed to dodge that duty for the remainder of the trip. We stopped about two hours outside Minneapolis, spending the night at a Ramada Inn that boasted a pool and hot tub. Unfortunately, they closed the hot tub and pool about five minutes after we checked in so we had an early morning relaxation time rather than a late night relaxation in a hot tub. Truth be told, it was actually a lukewarm hot tub as it was drained the night before and not yet up to a roasting temperature.

We hit the road again after breakfast and arrived at the Minneapolis Hilton Twin Towers shortly after noon, their time. This was a remarkable feat in that I'd neglected to bring the driving instructions with me and Greg had to negotiate by guesswork since the printouts I did have didn't list the hotel's address. Still, we made good time and arrived before any panels began.

Minicon registration had sent pre-printed forms with membership numbers via e-mail to each pre-registered guest. Take this and a picture ID to registration and they take the e-mail printout and hand you your program book, etc. Simple. Easy. Quick. The bulk of the work was done before the registration desk opened.

Minicon is traditionally a large convention with about 3,000 guests, gaming, media, and other activities. Somewhere along the line, certain members felt it had grown too large and a split had occurred. There will be other conventions at Minicon that focus on fannish, gaming, and media events, but Minicon itself has chosen to re-invent itself and as a result, membership this year was approximately half the usual attendance.

The Hilton hotel was spacious; you could wander around without feeling crowded. The convention apparently had all or almost all of the meeting rooms on the second and third floors and, while the hotel was filled with other guests, there were none of those encounters that make for awkward moments and interesting fannish lore.

Parties were everywhere, so much so, that our own was lightly attended and we bought home more snacks and drinks than we took with us. I counted at least five publishing-related parties and fifteen fannish parties. That was just Friday night. I don't know how many covered both nights of the convention.

Author's Roundtables were hotly attended, but these roundtables included such notables as Lois McMaster Bujold (I'm sure everyone reading this knows who she is) and publishing notables like Patrick Nielsen Hayden (a TOR editor). I doubt InConJunction could generate an equal amount of interest with roundtables unless they focused on the gaming guests.

The masquerade was abolished for the first time this year and I got to see in advance what it would be like if InConJunction followed the suggestion for hall costuming with photos posted in an area where everyone can view them.

Last year, Minicon had one of the most elaborate non-WorldCon masquerades of any convention, complete with stage and lighting far beyond what InConJunction usually provides. Attendance is always high and participation includes costumes which could enter WorldCon and walk away with prizes. This year, masquerading was light and I never saw anyone standing near the posting of pictures. The bottom line is that the people who attended Minicon this year simply were uninterested in the masquerade. While a few people felt it would be fun, costuming was mostly by children and people wearing period costumes.

The motto for programming this year was: More programming, and less of it -- or something to that effect. The word was, "What is the point of having all these interesting panels when you can only attend one at a time?" Thus, effort was made to schedule the panels into fewer tracks where there would seldom be an overlap of interested parties wanting to attend more than one panel at a time. There were also no panels for a two-hour break in the evening to give participants ample time to eat and/or prepare for the evening events. The dealer's room was open an amazingly long time and there was a 9:00 p.m. Tour of the Art Show conducted by guides. No wandering around. Keep up with the group.

The most interesting panel on Friday night, imho, was The Cold Equations: Let's Settle This Once And For All. For those of you unfamiliar with this well-known Analog story written years ago -- this is a story wherein the shuttle pilot is taking an emergency shipment of vaccine to a plague-stricken settlement and there's just enough fuel for the weight of the ship, cargo, and himself. He finds a cute, stowaway girl and he has to shove her out the airlock. The question was: is the story a cheat or a classic? Did the author stack the deck? Was there another answer possible within the story's own terms? And why would the author do a thing like this if he didn't have to do it? The room was full and people were debating furiously. An excellent panel.

Opening ceremonies began in the Grand Ballroom at 8:00 p.m. and there were four blimps floating around and remotely controlled. Unfortunately, they weren't well-guided and at least one of them attacked the speaker, managing to go nose-to-nose with him before being led away by what one presumes was a "navigator" and set free elsewhere. Another disadvantage to the blimps is that they tended to make loud farting noises that were, at first, mistaken for a bagpiper being loose in the room. The offending blimp was caught, fixed, and turned loose again about mid-way through the ceremonies.

That evening, Greg and I skipped all the parties to stagger back and forth down the hall with ice and fill the bathtub so that we'd have cold drinks for all the SFWA members who stopped by our official SFWA suite -- all half dozen of them. Oh well -- it was a new idea and it was a private party.

The morning started for me with the SFWA regional meeting. Things went well and I grabbed a quick lunch and prepared for the SFWA Emergency Medical Fund Auction at 1:00 p.m. wherein we auctioned off collectables (mostly bound galleys) to raise funds for SFWA members with insufficient or non-existing medical insurance.

A panel I very much regret missing is SPY vs. SPY in the Computer Age: A talk about dead drops, semaphores, cutouts, telltales -- the tools of spying. Another excellent panel of which I caught only a small peek was History As The Hard Science In SF - given that history is just as much a core science in our genre as astronomy, biology, or physics and that our concept of what comes next in the human story is determined by our idea of what's happened up to now. Another panel I missed was the Milk-And-Cookies Storytelling hour wherein Jane Yolen (best known for children's stories which are NOT your typical children's stories) tells stories. The audience listens, eats their cookies, and drinks their milk.

That evening's SFWA Suite was once again lightly attended, although we easily doubled our number of guests. Unfortunately, they kept bringing food and drinks with them and insisting they'd eaten too much earlier.

The Industry Fen Don't See was an interesting panel Sunday morning and one that works best when you have actual people from the publishing industry to tell you about the agents, production departments, packaging, marketing and other invisible lodges of the craft.

My one single panel on Sunday was What's Depressing, What's Cautionary, What's Uplifing. I admit to being puzzled before arriving, but it seems this grew out of someone's comment that a particular novel was depressing. "No," was the response, "it's merely cautionary, showing us what could happen if this goes on." Other people found the same book uplifting, showing hope for the future. So the question for us professionals was what we wrote, how we saw it, what we read that we thought was depressing, cautionary, or uplifting. Audience participation was high.

Breaking The Law In Comics is one panel I'd like to see come to InConJunction. The discussion was: Can your superhero team be sued for collateral damage if you take out half of downtown in a fight with a supervillain? How much legal protection does a secret identity give you? Do heroes who use energy-based superpowers contribute to global warning and are such powers in violation of the Law of Conservation of Energy? I think we could do great things with this panel, folks. Think about it.

We left Minicon about 1:00 p.m., (remember, we had to make the one-hour adjustment up for Daylight Savings Time that morning which put us back on Indiana time) and reached home shortly after midnight. It was fun. It was exhausting. It wasn't your typical Minicon. This is the kind of convention that excites me as a writer and a fan of literature. I doubt, however, that gaming and media fans will be at all interested in driving this far for a convention. They might feel differently about the splinter convention which will be held later in the year and focus on all those things that Minicon omitted.




An Interview With Octavia Butler
from Amazon.com
Octavia E. Butler established herself in the SF field beginning in the 1970s with the publication of her Patternist series. As one of the first African American science fiction writers, and indeed one of only a few women breaking the SF gender barrier, she brought a fresh new voice to the genre. Her Earthseed series, which began with "Parable of the Sower" and continues in "Parable of the Talents," tells the story of the genesis of a simple, humanist religion in a dystopian near-future Earth. Butler spoke with us about how the people close to her have influenced her characters.

You can find "Parable of the Talents" at http://www.amazon.com/exec/obidos/ASIN/1888363819/ref=ad_sf1 and other titles by Octavia Butler at http://www.amazon.com/octavia-butler.

Real-Life Inspiration:
An Excerpt from an Interview with Octavia Butler

One of the ways you find to give your characters certain feelings is to examine those feelings in yourself. When I did the story collection "Bloodchild," I remembered a story that I used to tell about a run-in I had with a cop back in Pasadena. It made me feel so humiliated that I was able to use that humiliation for my character when much more terrible things happen to her. It was that feeling of not being in control of what happens to you, and having something happen to you irrationally. You're suspected of doing something that you wouldn't even consider doing. I used my very small experience to expand and get more of the feeling that she would have to go through.

I also used one of my early experiences of being carried out of a burning house. My grandmother had a chicken ranch out between Victorville and Barstow in California. Shortly after my father died, my mother left me with my grandmother. One of her brothers had built this house for my grandmother, but he hadn't yet found water on the property. So there was no running water. And there was no phone, of course, and no electricity. So when somebody got careless with a kerosene lantern, or possibly a candle, there was nothing to do but get the heck out and watch it burn, and that's what we did. I certainly used that, the horror of it, not only in "Parable of the Talents," but also in "Parable of the Sower."

My grandmother was really a big inspiration for "Parable of the Talents." She was born back in the late 1800s in southern Louisiana, which was not a good place to be black or female, and what's more, her mother died when she was born. She had to be looked after by distant relatives who really didn't want another mouth to feed. They were abusive and beat her--people you'd want to get away from. When she was 12 years old, she met a man who seemed nice. He was in his mid-forties. And they got married. So you can see how my character might consider the possibility. In those days, that could happen--it was even legal.

She had nine children, but she lost her husband round about the beginning of the Depression. And she couldn't earn enough money to feed all those children. It was a very scary time--none of the safety nets that we have now. My grandmother had letters from friends who had moved to California, and they wrote, "There's work here!"

So she borrowed, and saved, and scrimped, and did everything she could to get herself to California. She had to leave her children with friends and neighbors, and in California she did the only kind of work she knew how to do (and probably the only kind of work she would have been permitted to do)-- housework. She was eventually able to get her children out to California with her and buy a house, and she bought a truck and set up a hauling business. Eventually, she bought the land in the desert, and she began the chicken ranch, where she had several thousand chickens.

She did all this with no education, and no real help. But she had her children, for whom she wanted to make better lives, and she had her religion. She would not have approved of my character, by the way, making up a new religion. But she was my main inspiration. Because here was a woman who could bring something from nothing.

The full text of Amazon.com's interview with Octavia Butler is at http://www.amazon.com/octavia-butler-interview.




Homemade Meatloaf
by Linda Dunn
What do you get when the Spammer is your friend or relative or maybe just a clueless new e-mail user? MEATLOAF!

I just found the best internet-related definition I've seen since SPAM. It's MEATLOAF. Forget the band and the movie. This is the official definition of Meatloaf: Unsolicited personal mass email. A relative of Spam, but homemade. "Some of the meatloaf I get is funny, but the majority is just annoying."

My clarification follows:

Unlike SPAM, which usually originates from unknown people or companies hoping to benefit in much the same way that phone solicitors or junk mailers hope to benefit, MEATLOAF usually originates with someone you know, sending something he or she found while cruising the net that he/she wants to share. SPAMMERs are ruthless and don't care if they offend you because they hope to get positive responses from a minority of those who receive the offending message. MEATLOAF mailers have good intentions and often respond with confusion and an expression of hurt feelings when told that the recipient wants to be removed from this and all future mailing lists.

As might be expected, I found this definition after being MEATLOAFED in a writers newsgroup wherein one clueless individiual really and truly thought he was doing a good deed sending e-mail messages to a mailing list he had s/t/o/l/e/n compiled from other lists wherein he encouraged people to check out website that he thought might be of interest to writers. These were usually websites the older and more experienced of us already knew about and we were getting a little tired of the one-message-a-week he was sending. There was no "to be removed from this list..." on his e-mail messages because he was, as I said earlier, clueless.

He said that since he hadn't received any complaints and had received a few "thank-you's," then he was obviously doing a good thing and was SHOCKED! (SHOCKED!, I repeat) to discover that not everyone on the newslist viewed his messages with such favor. Some accused him of SPAMMING, while others insisted it didn't quite fit the definition. Thus, it was that I came to find the definition: MEATLOAF, which we agree perfectly fits this situation.

I wish I could claim credit for the word, but I found it while reading a magazine.




The Genesis of Pets
contributed by Pam Barker
A newly discovered chapter in the Book of Genesis has provided the answer to "Where do pets come from?"

Adam said, "Lord, when I was in the garden, you walked with me every day. Now I do not see you anymore. I am lonesome here and it is difficult for me to remember how much you love me."

And God said, "No problem! I will create a companion for you that will be with you forever & who will be a reflection of my love for you, so that you will love me even when you cannot see me. Regardless of how selfish or childish or unlovable you may be, this new companion will accept you as you are and will love you as I do, in spite of yourself."

And God created a new animal to be a companion for Adam. And it was a good animal. And God was pleased. And the new animal was pleased to be with Adam and he wagged his tail. And Adam said, "Lord, I have already named all the animals in the Kingdom and I cannot think of a name for this new animal."

And God said, "No problem! Because I have created this new animal to be a reflection of my love for you, his name will be a reflection of my own name, and you will call him DOG." And Dog lived with Adam and was a companion to him and loved him. And Adam was comforted. And God was pleased. And Dog was content and wagged his tail.

After a while, it came to pass that Adam's guardian angel came to the Lord and said, "Lord, Adam has become filled with pride. He struts and preens like a peacock & he believes he is worthy of adoration. Dog has indeed taught him that he is loved, but perhaps too well."

And the Lord said, "No problem! I will create for him a companion who will be with him forever & who will see him as he is. The companion will remind him of his limitations, so he will know that he is not always worthy of adoration."

And God created CAT to be a companion to Adam. And Cat would not obey Adam. And when Adam gazed into Cat's eyes, he was reminded that he was not the Supreme Being.

And Adam learned humility.
And God was pleased.
And Adam was greatly improved.
And Dog was happy.
And Cat didn't give a shit one way or the other.




Costume For Sale
I have a Princess Leia dress I made, which is about three inches too short for me. It's OK for someone 5' 2" or under. Made of high quality material, washable.30.00 will pay for the material and my work. Contact Joanne Brooks via COJ.


InConJunction/COJ Web-Master: Jeff Thompson